Prints and Drawings auctions

Lithograph, Arches paper, 16 x 22 cm (inside the passe-partout measuring 27 x 33 cm), an exclusive edition sponsored by Banca Popolare di Milano. Publisher: Arti Grafiche Milanesi; Printer: Atelier Fernand Mourlot. Pablo Picasso’s series titled “Luncheon on the Grass” (orig. “Le Déjeuner sur l’herbe”) is an extensive series of variations in which the Spanish master creatively enga...
Lithograph, paper, 22.5 x 29 cm. Set of 6 lithographic postcards, each measuring 14 x 8 cm, mounted in a single passe-partout measuring 41 x 40 cm; signed “Z.STRYJENSKA” on the plate.
Lithograph, paper, 14 x 12 cm (inside the mat), outer dimensions of the mat: 22 x 20 cm. Teodor Axentowicz lithograph made in Kraków in 1904 by Władysław Teodorczuk (1872–1913), a designer of posters, book covers, illustrations, and bookplates; editor of the monthly magazine *Poradnik Graficzny*; and owner of a printing house from 1901 to 1906; Lit.: Danuta Muszanka, Karykatury Kazimierza...
Etching, on paper; print dimensions: 165 x 225 mm; signed lower right: monogram "JEF" and lower left: "Jos. Arp. Inv. d.". On the reverse, a label with a typewritten description of the work.Condition: print trimmed (with 5 mm margins preserved); lower left corner repaired; acid damage to the lower right and left corners.
ink on paper, 30 x 24.5 cm; signed lower right: Mleczko; stamps affixed on the reverse: Original, medium—ink, and: Andrzej Mleczko’s Author’s Gallery.
Color woodcut, on paper; dimensions (print): 288 x 270 mm; signed in lead on the lower right: "Wład. Bielecki de. et imp," title in lead on the lower left; below the composition, the artist’s dedication from 1926.Władysław Bielecki (1896–1943) was a printmaker, painter, and educator. He became famous as a master of color woodcut, creating landscapes and architectural views inspired by J...
[Kraków] – “Cracovia.” M. Merian. 1638 . Copperplate engraving; 20.5 x 38.5 (pl. 34 x 41.5) A panorama of Kraków stretching from Łobzów and Kleparz, across Wawel Hill and Stradom, to Kazimierz. Major buildings are described below in the legend (46 entries); heraldic cartouches (including the Eagle and Pogoń) are depicted against the sky. The engraving is modeled after the city pano...
color lithograph, paper, 36 cm × 43 cm (composition dimensions), 38 cm × 57 cm (sheet dimensions); Limited edition: 100 copies, lower left: number of pieces (in pencil): 63/100, lower left: dry stamp (embossed inscription) of the publisher ‘GEORGES / ISRAEL / EDITEUR’, bottom right: watermark: Arches / FRANCE. on the reverse, near the bottom edge, stamps, from top left: “Art Gallery Ne...
Etching on paper; print dimensions: 250 x 180 mm; signed lower right: "Ossecki". Signed in lead on the lower left: "ulica Klasztorna w Poznaniu" and the artist’s monogram in silver on the lower right: "WO"; additionally, the print is signed with the artist’s red seal on the lower left of the sheet: "WO". Condition: traces of water damage in the lower right corner extending into the composi...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse This location is situated along the Kōshū Kaidō road, near the Katsura River. It offers a view of the vast plain and the mountains. The autumn landscape, dotted with wildflowers such as chrysanthemums, creates a picturesque scene. In the distance, the silhouette of Mount Fuji can be s...
Etching on paper; print dimensions: 125 x 130 mm; unsigned. On the reverse of the mount, the artist’s seal: “M. T. JANIKOWSKI”. Condition: traces of past water damage in the lower left corner of the cardboard backing. Mieczysław Tadeusz Janikowski (1912–1968), painter, one of the most important representatives of geometric abstraction and constructivism in 20th-century Polish art. He ...
Offset lithograph, Arches vellum paper, 19 x 25 cm (inner dimensions of the mat), mounted in a 30 x 36 cm mat; signed “Picasso” on the plate, lower right. Publisher: Editions Cercle d’art, 1966.
Pencil, paper; dimensions: 30 x 21 cm; signed in pencil on the lower left: "K. Srz." A faint trace of a horizontal fold in the middle. On the reverse, sketches of heads on half of the sheet.
lithograph, paper, 65 x 48 cm (composition), (sheet) 73 x 59 cm;signed (in pencil) lower left: title 'Tulips',center: print run and edition number 1/1, bottom right: artist’s signature and year of creation 'Daria Grad 2007'
woodcut, paper, 19 x 21 cm (inside the mat); Tadeusz Kulisiewicz was born in 1899 in Kalisz. He studied at the School of Decorative Arts in Poznań and continued his studies at the Academy of Fine Arts in Warsaw in the studios of M. and M. Kotarbiński and under W. Skoczylas. He made his debut at an exhibition organized by the Association of Graphic Artists. During the early years of his caree...
lithograph, stencil hand-colored with gouache (pochoir), paper, 48 x 31.5 cm (inside the mat) signed on the plate, lower right: "Z. STRYJEŃSKA"
linocut, paper, 20 x 15 cm (inner dimensions of the mat); signed on the plate: JK. Janusz Wiktor Kotarbiński (born July 30, 1890, in Gołonóg; died January 13, 1940, in Zakopane) – Polish painter, visual artist, and writer.He was born on July 30, 1890, in the village of Gołonóg (now a district of Dąbrowa Górnicza), to Apoloniusz Eustachy and Matylda née Mętracka. He studied at the Ac...
linocut, paper, 19 x 14.5 cm (inside the mat), 30 x 24.5 cm (including the mat); signed on the plate, lower right: JK Janusz Wiktor Kotarbiński (born July 30, 1890, in Gołonóg; died January 13, 1940, in Zakopane) – Polish painter, visual artist, and writer.He was born on July 30, 1890, in the village of Gołonóg (now a district of Dąbrowa Górnicza), to Apoloniusz Eustachy and Matylda n...
lithograph, paper, 88 x 58.5 cm
lithograph, handmade paper, 33 x 43 cm; signed lower right: facsimile of Picasso’s signature; numbered in pencil lower left: 738/1200, in the lower left corner of the paper, a head is printed based on a drawing by Picasso; on the reverse, lower right: footer: PABLO PICASSO, VOLLARD SUITE, Planche [print number in Roman numerals], Printed in an edition of 1,200 copies. All copies were numbere...
lithograph, handmade paper, 33 x 43 cm; signed lower right: facsimile of Picasso’s signature; numbered in pencil lower left: 738/1200, in the lower left corner of the paper, a head is printed based on a drawing by Picasso; on the reverse, lower right: footer: PABLO PICASSO, VOLLARD SUITE, Planche [print number in Roman numerals], Printed in an edition of 1,200 copies. All copies were numbere...
watercolor on paper, 28 x 20 cm (inside the mat) signed lower right: “jms.”
lithograph, handmade paper, 33 x 43 cm; signed lower right: facsimile of Picasso’s signature; numbered in pencil lower left: 738/1200, in the lower left corner of the paper, a head is printed based on a drawing by Picasso; on the reverse, lower right: footer: PABLO PICASSO, VOLLARD SUITE, Planche [print number in Roman numerals], Printed in an edition of 1,200 copies. All copies were numbere...
Color woodcut, paper; dimensions (print): 170 x 170 mm; inscribed in pencil on the lower right: "WŁ BIELECKI del et imp", inscribed in pencil on the lower left: "original woodcut", below "Wawel - Sandomierz Tower". On the reverse: A third-party dedication written in pencil from 1986.Władysław Bielecki (1896–1943) was a printmaker, painter, and educator. He became famous as a master of col...
linocut, paper; 33 x 15 cm (inside the frame); inscribed at the bottom: Linocut “Nude” Krystyna Bieniek 58. (in pencil)
A complete illustrated folio by Mojżesz Kisling, based on the text by René Héron de Villefosse, in an exclusive canvas case. Published by Bernard Klein, Paris; with an introduction by Jean Giono; numbered piece: "O"12 color illustrations (10 full-page and 2 within the text) by Mojżesz Kisling using the phototype technique, one phototype lithograph illustration by Amadeo Modigliani, and 6 s...
etching, paper, 100 x 70 cm (framed 102.5 x 72.5 cm), signed in pencil at the bottom: '"Corpus Christi I, etching, drypoint 2/50 Wojciech Pelc 2012' In 2011, he received a degree in printmaking from the Faculty of Arts at the University of Silesia in Cieszyn, where he studied under Prof. E. Delekta. He was a graduate of the State School of Fine Arts in Krosno (2004). In his work, he drew upon...
pencil, paper; 36 x 29.5 cm; signed: T. Chełmiński (within the composition, on the right).
silkscreen print, paper, 62.5 x 63 cm (inside frame) signed in pencil on the lower right: “JStańczak” and inscribed on the lower left: “86/175”
Wiktoria Julia Goryńska (1902–1945) – The Infant Jesus (Christmas Greetings). 1937. Color woodcut; 7 x 4.5 (14 x 9.5 within the frame) Signed in pencil: “W. J. Goryńska 1937.” An image of the Infant Jesus as the ruler of the world, created especially for Christmas. Wiktoria Goryńska was one of the most outstanding representatives of the Warsaw school of woodcut art during the interw...
color lithograph, paper; 24 cm × 45 cm (composition), 50 × 70 cm (sheet); limited edition of 100 pieces; printed below the composition, bottom right: facsimile of the artist’s signature ‘Mucha’, lower left (in pencil): edition number - 15/100; lower left: graphic mark 'La Plume Société Anonyme', Paris.
color lithograph, paper, 33 cm × 48 cm (composition), 50 × 70 cm (sheet); limited edition of 100 pieces; printed below the composition, bottom right: facsimile of the artist’s signature ‘Mucha’, lower left (in pencil): edition number - 19/100; lower left: graphic mark 'La Plume Société Anonyme', Paris
color lithograph, paper; sheet dimensions: 50 x 50 cm; signed on the plate within the composition, lower right: ANDY WARHOL; numbered in pencil below the composition, bottom right: 221/500; lower left: dry seal (embossed inscription) - © CMOA; publisher’s stamp on the reverse CMOA (Carnegie Museum of Art, Pittsburgh)
color lithograph, paper, 64.5 x 49.5 cm (inside the frame) signed and dated lower right: “Witold. K. 1984”; lower left: “92/100” lower left: stamp impression “MICHEL CASSÉ/ LITHO.PARIS”
pencil, paper, 21.5 x 30.5 cm (inside the mat) signed and dated lower right: "KKossak/1968"Provenance: - the collection of Tomasz Bednarek, the son of close friends of Karol Kossak who lived in Ciechocinek for many years. The artist maintained a warm relationship with the family and often spent time with them. During Tomasz Bednarek’s childhood, Karol Kossak created numerous drawings, puzzle...
watercolor on cardboard; 18.5 x 24.5 cm.
marker, paper, 21 x 32 cm on the reverse, the artist’s inscription: “Drawing / on the reverse / is my work / KKossak / 11/23/68”Provenance: - the collection of Tomasz Bednarek, the son of close friends of Karol Kossak, who lived in Ciechocinek for many years. The artist maintained a warm relationship with the family and often spent time with them. During Tomasz Bednarek’s childhood, Ka...
woodcut, paper, 16.5 x 13.5 cm (inside the passe-partout); Kazimierz Wiszniewski (b. 1894 in Warsaw, d. 1960 in Kraków) He began his studies at the Warsaw School of Fine Arts under the guidance of Ignacy Pieńkowski and Stanisław Lentz. He continued his education at Konrad Krzyżanowski’s private painting school. He completed his artistic education at the Municipal School of Decorative Art...
Mikołaj Radziwiłł, known as “Rudy” (1512–1584), Voivode of Trakai and Vilnius, Chancellor of Lithuania, Grand Hetman of Lithuania. 1721. Copperplate engraving; 28 x 17 (pl. 33.5 x 20.5) A bust in armor, framed in an oval, with the inscription below: “Nicolau Radzivil Hertzog zu Dubinki und Bierze...”. Surrounded by a decorative border (panoply, banners, empty cartouche). The engra...
Crayons, paper; dimensions (in cm): 23 x 31.5; signed lower left: "WW". The work is framed with so-called "museum-grade glass" from the American company TrueVue.In 1923, Wojciech Weiss visited Nice for the first time, staying with Maria Sperling, his wife’s sister and a painter herself. This trip marked the beginning of a series of regular stays by the artist on the French Riviera, which are...
Etching on paper; print dimensions: 118 x 89 mm; signed in lead on the lower right: "Andrzej Oleś". Condition: three marks on the upper margin where the print has come away from the backing. Andrzej Zygmunt Oleś (1886–1952) was a painter, printmaker, art historian, and conservator. He studied at the Academy of Fine Arts in Kraków under the guidance of Leon Wyczółkowski, Stanisław Dębi...
ink, paper; 7.3 x 9.4 cm.
woodcut, paper, 11.5 x 10 cm each (inside the mat), 22.5 x 32.5 cm (frame, mat) Władysław Skoczylas was one of the most important artists of the interwar period in Poland. He received a broad artistic education—initially studying in Vienna, and later pursuing painting at the Academy of Fine Arts in Kraków. He gained additional knowledge in Paris, where he explored the secrets of sculpture...
color lithograph, paper; 49 x 30 cm (image dimensions), 70 x 50 cm (sheet dimensions); limited edition of 100 pieces;printed below the composition, bottom right: facsimile 'Mucha', lower left (in pencil): edition number - 36/100; lower left: graphic mark 'La Plume Société Anonyme', Paris
color lithograph, paper, print dimensions: 46 cm × 46 cm sheet dimensions: 50 cm × 50 cm; signed on the plate within the composition, lower left: ANDY WARHOL; numbered in pencil below the composition, bottom right: 80/500; lower left: publisher’s dry seal (embossed inscription) - © CMOA; on the reverse, publisher’s stamp: CMOA (Carnegie Museum of Art, Pittsburgh)
color woodcut, ink on paper, 37x25 cm, signed by the artist, Adachi Publishing seal on the reverse, slight foxing The exact location of this scene is unknown, but it is believed to depict the road from Mishima leading through the Izu Mountains toward the Hakone Pass. A mountain stream flows between densely forested slopes, its clear water cascading downward. The path cuts through the mountains...
Lithograph, paper, 20 x 22 cm (inside the mat), 31 x 33 cm (including the mat); publisher—Banca Popolare di Milano; lithographs—Atelier Fernand Mourlot. Picasso created the series *Les Dejeuners*, consisting of approximately 50 compositions, in about a month, inspired by Manet’s famous painting *Luncheon on the Grass*.
pencil on paper, 20 cm × 30 cm signed within the composition, lower right
Pencil, paper; dimensions (inside the frame): 19.5 x 15 cm; signed in ink on the lower right: "Michał Stachowicz pinxit | 1795". On the reverse, an unfinished sketch of a woman in profile. The work and the paper are acid-stained and dusty.Michał Stachowicz (1768–1825) – a Kraków-based painter, draftsman, printmaker, and illustrator, considered one of the artists of the transition from t...
etching, aquatint, paper, 24.5 x 32.5 cm (composition dimensions) signed, dated, bottom right: "Stasys" 1998; inscribed in the center right: "Miód" "AdA"; and bottom left: "A1."
[The 1905 Revolution] – A march of workers through the streets of Warsaw. Painted by A. Uniechowski. 1950. Drawing (ink, gouache, paper); 14.5 x 34 cm (drawing) on a 21 x 34 cm sheet Signed in ink with a distinctive monogram: “AU.” Antoni Uniechowski (1903–1976), an outstanding and highly prolific illustrator, created mainly book illustrations, including those for *Lalka* and *Emancypa...
Lithograph, paper, 20 x 22 cm (inside the mat), 31 x 33 cm (including the mat); publisher—Banca Popolare di Milano; lithographs—Atelier Fernand Mourlot. Picasso created the “Les Déjeuners” series, consisting of approximately 50 compositions, in about a month, inspired by Manet’s famous painting “Luncheon on the Grass.”
[Iłża] – “Yltze.” Based on a drawing by E. J. Dahlbergh. 1696. Etching, hand-colored copperplate; 21 x 34 (pl. 36 x 43) A panorama of the walled city during its heyday (interrupted by the Swedish Deluge), featuring the Renaissance castle of the Bishops of Kraków on Castle Hill and Swedish troops in the foreground. The engraving was based on a drawing by Erik J. Dahlbergh (1625–1703)...
drypoint, paper; 12 x 19.5 cm (plate impression), 14 x 21.6 cm (inside the passe-partout), 26.4 x 34.1 cm (framed); inscribed at the bottom: Royal Castle, Warsaw 22/100 drypoint by Janusz Nędzi 1990 (in pencil); signed on the plate, lower right: J. Nędzi. The work is framed.
Lithograph, heavyweight Cotton Cream paper, dimensions: 44 x 46 cm (composition), 70 x 50 cm (sheet), limited edition, hand-numbered 21/350, signed on the plate, facsimile of KUPKA’s signature below the composition on the lower right, dry stamp “CMOA” (Carnegie Museum of Art) on the left, dry seal of the publisher SPADEM PARIS on the right (SPADEM is the French equivalent of ZAIKS), “v...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse After passing the Uenohara post station on the Kōshū Kaidō and crossing Nojiri, one reaches the Inume Pass. The road winds through steep, rocky slopes, offering spectacular views. The clear water flowing in the Katsuragawa stream below glistens in the sun. This place perfectly capture...
Lithograph, paper, 20 x 22 cm (inside the mat), 31 x 33 cm (including the mat); publisher—Banca Popolare di Milano; lithographs—Atelier Fernand Mourlot. Picasso created the series *Les Dejeuners*, consisting of approximately 50 compositions, in about a month, inspired by Manet’s famous painting *Luncheon on the Grass*.
pencil on paper, 20 cm × 30 cm signed within the composition, lower right
Lithograph, paper; dimensions (inside frame): 430 x 510 mm; signed in the center of the plate: "WW". Print from the portfolio "Farewell to Golus" published in Lviv in 1936. Bibliography: Maria Grońska, Prints in Books, Portfolios, and Albums. Polish Art and Bibliophile Publications from 1899–1945, Wrocław-Warsaw-Kraków 1994, pp. 291–292, item 574. The composition is in the collections o...
ink print/paper, 40 x 30 cm (sheet); signed, dated, and numbered by the artist in pencil, lower right: print number / 2019 / P.KLUZA; stamped by the artist bottom right (round seal with the inscription in the border - PAWEŁ KLUZA/ ARTIST PAINTER / ZARKI LETNISKO)
copperplate engraving, paper, 18 x 24 cm (inside the mat); the print is from a portfolio published in 1856 featuring architectural landmarks from around the world
Etching, aquatint, paper; print dimensions: 150 x 116 mm; signed in lead below the image: "Józef Pieniążek" and below the image on the left: "z Podhala". Additionally, the print is signed in silver ink on the lower right: "J. PIENIĄŻEK" and in silver ink on the lower left: "PASEK 1927". A label with a description of the work is preserved on the back of the mount. Mount without glass. Cond...